{"id":27734,"date":"2022-02-05T13:29:49","date_gmt":"2022-02-05T13:29:49","guid":{"rendered":"https:\/\/gagauziadialogue.md\/%d0%b3%d0%b0%d0%b3%d0%b0%d1%83%d0%b7%d1%81%d0%ba%d0%b8%d0%b9-%d0%bd%d0%b0%d1%86%d0%b8%d0%be%d0%bd%d0%b0%d0%bb%d1%8c%d0%bd%d1%8b%d0%b9-%d0%b4%d1%80%d0%b0%d0%bc%d0%b0%d1%82%d0%b8%d1%87%d0%b5%d1%81%d0%ba\/"},"modified":"2022-02-05T13:42:29","modified_gmt":"2022-02-05T13:42:29","slug":"teatrul-naional-dramatic-dionis-tanasoglu-din-gagauzia","status":"publish","type":"post","link":"https:\/\/gagauziadialogue.md\/ro\/teatrul-naional-dramatic-dionis-tanasoglu-din-gagauzia\/","title":{"rendered":"Teatrul na\u021bional dramatic \u201eDionis Tanasoglu\u201d din G\u0103g\u0103uzia"},"content":{"rendered":"\n

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*** <\/strong><\/strong><\/p>\n\n\n\n

Printre decora\u021biuni bizare, trei b\u0103rba\u021bi \u00ee\u0219i tr\u0103iesc o alt\u0103 via\u021b\u0103, una imaginat\u0103 de Wells acum aproape 120 de ani. Ace\u0219ti b\u0103rba\u021bi sunt actori \u00een cadrul unicului teatru dramatic g\u0103g\u0103uz din lume, denumit \u00een memoria lui Dionis Tanasoglu. Sala de spectacole din Casa de cultur\u0103 din Cead\u00e2r-Lunga este pustie, doar c\u00e2teva persoane pe scen\u0103 repet\u0103 acelea\u0219i replici din nou \u0219i din nou.<\/p>\n\n\n\n

\u2013 E capital\u0103, capital\u0103! Dar ce s-a \u00eent\u00e2mplat<\/em>?.. <\/em><\/em><\/p>\n\n\n\n

Din \u00eentuneric se aude o voce: \u2013 \u201eNu, nu a\u0219a! E nevoie de altceva, aici este vorba de o psiho-mecanic\u0103 total diferit\u0103. \u00cenc\u0103 o dat\u0103, totul de la \u00eenceput\u201d. Vocea din \u00eentuneric \u00eei apar\u021bine lui Denis Baburin, regizor dramatic din G\u0103g\u0103uzia. Acum este \u00een proces de preg\u0103tire un nou spectacol \u201e\u021aara orbilor\u201d. Este un spectacol adresat c\u0103tre publicul adult. Actorii \u00eel ascult\u0103 cu aten\u021bie, propun variantele lor, fac \u00eencerc\u0103ri, ceva nu le reu\u0219e\u0219te, ei o iau de la \u00eenceput. A\u0219a va fi p\u00e2n\u0103 \u00een momentul \u00een care Baburin se va convinge c\u0103 scena respectiv\u0103 este cizelat\u0103 p\u00e2n\u0103 la perfec\u021biune \u0219i c\u0103 este cazul de a continua cu urm\u0103toarele.<\/p>\n\n\n\n

\u2013 Capital\u0103, capital\u0103!<\/em><\/em><\/p>\n\n\n\n

\u2013 Ce fel de capital\u0103<\/em>?<\/em><\/em><\/p>\n\n\n\n

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Repeti\u021bia s-a finalizat, reflectoarele au luminat scena care s-a umplut de oameni. Peste dou\u0103 ore aceea\u0219i scen\u0103 va g\u0103zdui un spectacol pentru copii \u0219i totul trebuie preg\u0103tit la timp. Fiecare este ocupat cu sarcinile sale. Mihail Constantinov, directorul teatrului, rostogole\u0219te pe scen\u0103 o roat\u0103 uria\u0219\u0103 din lemn \u2013 element al decora\u021biilor. Al\u0103turi de el, Mihail G\u0103g\u0103uz \u0219i Anatolii Radulov dezasambleaz\u0103 \u0219i duc de pe scen\u0103 o alt\u0103 construc\u021bie \u2013 statutul nu conteaz\u0103 \u00een aceast\u0103 echip\u0103, fiecare contribuie la un scop comun.<\/p>\n\n\n\n

Aceast\u0103 scen\u0103  nu este tehnic amenajat\u0103 dup\u0103 rigorile teatrale, arti\u0219tii fiind nevoi\u021bi s\u0103 foloseasc\u0103 o scar\u0103 telescopic\u0103 pentru a fixa decora\u021biile pentru spectacolul ce urmeaz\u0103. C\u00e2nd decora\u021biile sunt gata \u0219i covorul verde a\u0219ternut, actorii se ridic\u0103 la etajul doi \u00een aripa din st\u00e2nga a Casei de Cultur\u0103. Acolo se afl\u0103 c\u00e2teva \u00eenc\u0103peri mai mari \u0219i un hol \u2013 acesta este spa\u021biul ce apar\u021bine Teatrului Na\u021bional din G\u0103g\u0103uzia. Aici actorii se simt ca acas\u0103: aici ei \u00ee\u0219i schimb\u0103 costumele, \u00ee\u0219i aplic\u0103 machiajul, stabilesc planuri de viitor, confec\u021bioneaz\u0103 costume \u0219i decora\u021bii, dar \u0219i se odihnesc dup\u0103 spectacole. Ei arendeaz\u0103 acest spa\u021biu de la Casa de Cultur\u0103 din Cead\u00e2r-Lunga, aceste \u00eenc\u0103peri le-au \u00eenlocuit Teatrul la care ei au tot visat de la fondare \u00een 1997.<\/p>\n\n\n

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Istoria fond\u0103rii<\/strong><\/strong><\/p>\n\n\n\n

Atunci c\u00e2nd se vorbe\u0219te despre teatrul g\u0103g\u0103uz, nu poate fi trecut cu vederea numele lui Dionis Tanasoglu, \u00een memoria c\u0103ruia a fost numit Teatrul Na\u021bional din Cead\u00e2r-Lunga. \u00cen anii \u201870 el a montat spectacole \u00een limba g\u0103g\u0103uz\u0103 \u00eempreun\u0103 cu studen\u021bii g\u0103g\u0103uzi de la Chi\u0219in\u0103u. Niciunul din ei nu era actor profesionist \u2013 erau studen\u021bi la inginerie, pedagogie. El i-a adunat pe acei tineri, a organizat repeti\u021bii \u00een Chi\u0219in\u0103u, apoi au urmat repeti\u021bii \u00een G\u0103g\u0103uzia. chiar pe scena Casei de cultur\u0103, dup\u0103 care a urmat premiera spectacolului. Primul spectacol de acest gen a fost prezentat \u00een Casa de cultur\u0103 din satul Congaz \u00a0(despre care am relatat anul trecut c\u00e2nd am vorbit despre dansul g\u0103g\u0103uz). Tanasoglu a montat astfel de spectacole studen\u021be\u0219ti p\u00e2n\u0103 \u00een anii \u201880. Desigur, nu era vorba de un teatru organizat, cu o trup\u0103 permanent\u0103 \u0219i cu o cl\u0103dire a lor. Mai degrab\u0103 era vorba de materializarea unei dorin\u021be de a crea ceva \u00een limba matern\u0103, ceea ce a devenit posibil datorit\u0103 sus\u021bin\u0103torilor care \u00eemp\u0103rt\u0103\u0219eau acelea\u0219i principii.<\/p>\n\n\n\n

La sf\u00e2r\u0219itul anilor \u201980 Tanasoglu a lansat procesul de selec\u021bie pentru grupe cu profil teatral \u00een cadrul Institutului de Arte (\u00een prezent cunoscut\u0103 drept Academia de Arte, AMTAP) cu predare \u00een limba g\u0103g\u0103uz\u0103. Mai exact, \u00een limba g\u0103g\u0103uz\u0103 erau predate toate disciplinele de profil, regie, art\u0103 actoriceasc\u0103 \u0219i arta vorbirii scenice (aceast\u0103 disciplin\u0103 era predat\u0103 de so\u021bia lui), iar restul disciplinelor erau predate \u00een limba rus\u0103. El visa s\u0103 \u00eenfiin\u021beze un teatru g\u0103g\u0103uz adev\u0103rat, iar pentru a realiza acest vis era nevoie de cadre preg\u0103tite \u00een limba g\u0103g\u0103uz\u0103. \u00cen total au fost trei astfel de promo\u021bii \u2013 1988, 1989 \u0219i 1990. Unul din studen\u021bii lui Tanasoglu a fost Mihail Constantinov, actualul director al teatrului.<\/p>\n\n\n\n

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    \u00cen acea perioad\u0103 plutea \u00een aer o speran\u021b\u0103 c\u0103 totul va reu\u0219i \u0219i c\u0103 teatrul va exista. Visul a devenit realitate \u0219apte ani mai t\u00e2rziu, \u00een anul 1997. Ini\u021bial, Teatrul Na\u021bional din G\u0103g\u0103uzia a purtat numele unei alte personalit\u0103\u021bi notorii g\u0103g\u0103uze \u00a0\u2013 Mihail Ciachir, om de cultur\u0103 g\u0103g\u0103uz din Moldova care a contribuit considerabil la dezvoltarea G\u0103g\u0103uziei. Teatrul a avut un start cu succes \u2013 deja \u00een 1999 acesta a participat de dou\u0103 ori \u00een cadrul festivalurilor din ora\u0219ele turce\u0219ti Denizli \u0219i Alacati. \u00cen 2000 teatrul a avut spectacole \u00een Ufa \u0219i Tatarstan. Cu toate acestea, \u00eencep\u00e2nd cu anul 2001 \u0219i timp de aproape zece ani teatrul a \u00eent\u00e2mpinat numeroase dificult\u0103\u021bi, principala fiind finan\u021barea insuficient\u0103, iar trupa a \u00eenceput s\u0103 \u00ee\u0219i piard\u0103 actorii. Teatrul practic a ajuns la marginea pr\u0103pastiei, \u00eens\u0103 lucrurile au \u00eenceput s\u0103 se schimbe spre bine \u00eencep\u00e2nd cu anul 2013. Teatrul a primit un nume nou, fiind denumit \u00een memoria lui Dionis Tanasoglu \u2013 a urmat o resetare. Din martie 2013 teatrul este din nou activ, prezent\u00e2nd spectacole pentru orice spectator, at\u00e2t pentru adul\u021bi c\u00e2t \u0219i pentru copii. <\/p>\n\n\n\n

    Zilele noastre<\/strong><\/strong><\/p>\n\n\n\n

    \u00cen 1991 Mihail Constantinov a \u00eenfiin\u021bat primul teatru de amatori din G\u0103g\u0103uzia, cu denumirea \u201eUmut<\/em>\u201d, ceea ce \u00eenseamn\u0103 \u201esperan\u021b\u0103\u201d \u00een limba g\u0103g\u0103uz\u0103. \u00cencep\u00e2nd cu 1997 el a \u00eenceput s\u0103 activeze \u00een cadrul Teatrului Na\u021bional devenind director al acestuia \u00een anul 2007, \u00eentr-o perioad\u0103 de cump\u0103n\u0103 pentru institu\u021bie.<\/p>\n\n\n\n

    \u201eNu m\u0103 g\u00e2ndeam niciodat\u0103 c\u0103 a\u0219 putea deveni director \u2013 eu sunt actor. Atunci c\u00e2nd am fost \u00eenmatriculat la Institutul de arte din Chi\u0219in\u0103u, Dionis Tanasoglu ne-a spus chiar la prima lec\u021bie: \u201eB\u0103ie\u021bi, noi suntem g\u0103g\u0103uzi \u0219i doar noi vom putea s\u0103 cre\u0103m teatrul nostru na\u021bional g\u0103g\u0103uz. S\u0103 \u021bine\u021bi minte un lucru: un popor f\u0103r\u0103 de teatru este un popor mort\u201d. El ne-a cultivat m\u00e2ndria de a fi g\u0103g\u0103uzi, dragostea fa\u021b\u0103 de limba noastr\u0103, datoriea de a-o p\u0103stra \u0219i a-o dezvolta. Teatrul este cuv\u00e2ntul, deci doar \u00een arta teatral\u0103 avem o astfel de oportunitate. Acele mesaje ale sale m\u0103 inspir\u0103 p\u00e2n\u0103 \u00een prezent. <\/em><\/em><\/p>\n\n\n\n

    \u00cen anul 1991, exact 30 de ani \u00een urm\u0103, fiind student \u00een anul trei, am \u00eenfiin\u021bat primul teatru de amatori g\u0103g\u0103uz cu denumirea \u201eUmut\u201d, sper\u00e2nd la un teatru adev\u0103rat, un templu al artei. Am vrut doar s\u0103 \u00eemi \u00eencerc puterile. Am \u00een\u021beles c\u0103 nu pot tr\u0103i f\u0103r\u0103 teatru atunci c\u00e2nd am \u00eenceput s\u0103 sus\u021binem examenele la miniaturi \u0219i art\u0103 teatral\u0103. Asta a devenit o dependen\u021b\u0103. Nu \u0219tiu, s-ar putea ca oamenii din alte profesii s\u0103 nu \u00een\u021beleag\u0103 asta, dar a\u0219a este \u2013 dac\u0103 nu ai posibilitatea de a ie\u0219i pe scen\u0103, practic nu mai po\u021bi s\u0103 dormi nop\u021bile. <\/em><\/em><\/p>\n\n\n\n

    Dup\u0103 spectacol sim\u021bi o mare satisfac\u021bie. Ai o senza\u021bie de lini\u0219te l\u0103untric\u0103, ai un somn odihnitor noaptea. E acel sentiment c\u0103 nu tr\u0103ie\u0219ti \u00een z\u0103dar \u2013 asta ne \u021bine \u00een tonus, ne inspir\u0103, nu ne las\u0103 s\u0103 renun\u021b\u0103m, ne sprijin\u0103 s\u0103 ne mi\u0219c\u0103m tot \u00eenainte”. <\/em><\/em><\/p>\n\n\n

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    C\u00e2nd am preluat conducerea teatrului \u00een primul r\u00e2nd \u00eemi doream ca spectacolele noastre s\u0103 ating\u0103 un nivel \u00eenalt de calitate. Pentru aceasta era necesar s\u0103 atragem regizori. Am \u00eenceput s\u0103 invit\u0103m speciali\u0219ti de la Chi\u0219in\u0103u, Tiraspol, dar \u0219i din Azerbaidjan. Venea de la Chi\u0219in\u0103u regretatul Valerii Mogutenco. \u00cencep\u00e2nd cu 1997, dumnealui a montat cinci spectacole \u00een teatrul nostru; Victor Ignat a montat dou\u0103 spectacole pentru noi. De asemenea, am avut colabor\u0103ri cu Ion Popescu. Dar chiar \u0219i noi singuri mont\u0103m spectacole. Eu am montat patru spectacole. Anatolii Rodlov este actor, dar are \u0219i el deja trei spectacole \u00een postur\u0103 de regizor. Mihail Rezune\u021b s-a al\u0103turat echipei noastre venind din trupa de la Comrat, a montat \u0219i el un spectacol. Iar acum Denis Baburin, la fel de la Comrat, monteaz\u0103 spectacolul \u201e\u021aara orbilor\u201d.<\/em><\/em><\/p>\n\n\n\n

    \u00cen general, facem spectacole pentru copii. Nu doar \u00een limba g\u0103g\u0103uz\u0103, avem \u0219i un spectacol \u00een rom\u00e2n\u0103. Cu acest spectacol, \u201eCoco\u0219ul \u0219i soarele\u201d (Victor Ignat) am participat la festivalul interna\u021bional de la Br\u0103ila. <\/em><\/em><\/p>\n\n\n\n

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    Una dintre problemele principale ale teatrului g\u0103g\u0103uz este lipsa tinerilor speciali\u0219ti, dar \u0219i salariile foarte mici. Oamenii \u00ee\u0219i doresc o via\u021b\u0103 mai bun\u0103 pentru sine \u0219i pentru familiile lor. Practic to\u021bi actorii teatrului nostru \u00eencearc\u0103 s\u0103 mai c\u00e2\u0219tige un ban \u0219i \u00een alte domenii.<\/p>\n\n\n\n

    \u00censu\u0219i Constantinov \u00een anii fl\u0103m\u00e2nzi 2000 a fost nevoit s\u0103 plece de la ba\u0219tin\u0103 pentru a c\u00e2\u0219tiga o bucat\u0103 de p\u00e2ine.<\/p>\n\n\n\n

    \u201eAm hot\u0103r\u00e2t s\u0103 merg la munc\u0103 la Odessa. Nu vedeam vreo alt\u0103 ie\u0219ire. Iar \u00een fiecare duminic\u0103 mergeam la spectacolele Teatrului Dramatic din Odessa \u2013 spectacole grandioase, care mi-au r\u0103mas \u00eentip\u0103rite \u00een memorie pentru totdeauna, \u00een special \u201eVii\u201d de Gogol. Ce scene \u00een mas\u0103! Ce talent actoricesc! Actorii ca ni\u0219te arti\u0219ti de circ zburau cu sicriele, ca ni\u0219te gimna\u0219ti \u00een aer! Foarte multe pot fi realizate atunci c\u00e2nd exist\u0103 baz\u0103 material\u0103 \u0219i de crea\u021bie. <\/em><\/em><\/p>\n\n\n\n

    Mi-a\u0219 dori ca teatrul nostru s\u0103 aib\u0103 propria sa cas\u0103. Nu avem nevoie de palate, avem nevoie de o cl\u0103dire compact\u0103 cu o sal\u0103 pentru circa 150-200 de spectatori, pentru G\u0103g\u0103uzia asta este mai mult dec\u00e2t suficient, principala dolean\u021b\u0103 fiind ca scena s\u0103 fie dotat\u0103 tehnic \u2013 asta este obligatoriu. Casa teatral\u0103 s\u0103 dispun\u0103 de toate atelierele necesare pentru un teatru: ateliere de croitorie, t\u00e2mpl\u0103rie, confec\u021bionare a costumelor, a decora\u021biunilor, clase de dans, vestiare. Am avea nevoie de o \u00eenc\u0103pere special\u0103 pentru muzeul teatrului, astfel \u00eenc\u00e2t publicul s\u0103 poat\u0103 s\u0103 simt\u0103 atmosfera teatral\u0103, s\u0103 poat\u0103 s\u0103 viziteze muzeul, s\u0103 vad\u0103 trofeele acordate teatrului, s\u0103 afle despre originile institu\u021biei, despre progresele atinse p\u00e2n\u0103 \u00een prezent”.<\/em><\/p>\n\n\n\n

    \u00cen pofida greut\u0103\u021bilor, \u00eencep\u00e2nd cu anul 2009 \u0219i p\u00e2n\u0103 \u00een 2020 c\u00e2nd a \u00eenceput pandemia, teatrul a participat \u00een fiecare an la festivaluri mari interna\u021bionale. Teatrul este membru \u00een TURKSOY, organiza\u021bie interna\u021bional\u0103 a culturii turcice. Datorit\u0103 statutului de membru \u00een aceast\u0103 organiza\u021bie, teatrul din G\u0103g\u0103uzia este un oaspete frecvent pe scenele din Turcia \u0219i Federa\u021bia Rus\u0103 (preponderent \u00een Tatarstan). Un raft \u00eentreg din biroul directorului este plin cu trofee primite \u00een cadrul diferitor festivaluri. G\u0103g\u0103uzii sunt, de regul\u0103, \u00eent\u00e2mpina\u021bi cu mult\u0103 c\u0103ldur\u0103. Astfel, de exemplu, \u00een cadrul festivalului \u201e\u041c\u043e\u043b\u043e\u043a\u043e\u201d \u00een anul 2014 \u00een Odessa Mihail Constantinov a primit o diplom\u0103 pentru cel mai bun rol b\u0103rb\u0103tesc, iar actri\u021ba Lidia Ormangi a primit diplom\u0103 pentru cel mai bun rol femeiesc. \u00cen total la acel festival au participat 12 colective teatrale, iar Teatrul Na\u021bional din G\u0103g\u0103uzia s-a clasat pe locul doi. Este important de subliniat faptul c\u0103 la Odessa ei au prezentat un spectacol \u00een limba g\u0103g\u0103uz\u0103, chiar dac\u0103 printre spectatori nu au fost g\u0103g\u0103uzi. \u00censu\u0219i Constantinov consider\u0103 c\u0103 publicul simte \u201eenergia\u201d, f\u0103r\u0103 a mai fi nevoie de traducere. \u00cen istoria teatrului au fost momente frumoase \u0219i \u00een Tatarstan:   <\/p>\n\n\n\n

    \u201eTeatrul \u201eKamala\u201d este teatrul academic na\u021bional principal din Tatarstan, cu un statut foarte \u00eenalt, situat \u00een centrul ora\u0219ului Kazan. Ne-am prezentat pe scena mic\u0103 cu spectacolul \u201eOglan hem L\u00e4nka\u201d \u00een limba g\u0103g\u0103uz\u0103 (noi prezent\u0103m doar spectacole \u00een limba g\u0103g\u0103uz\u0103 \u00een cadrul  tuturor festivalurilor, at\u00e2t na\u021bionale c\u00e2t \u0219i interna\u021bionale). Juriul e \u00een sal\u0103: profesori din cadrul Institutului de Art\u0103 Teatral\u0103 din Federa\u021bia Rus\u0103. Spectacolul \u00eencepe cu o scen\u0103 \u00een care eu dorm, tresar \u00een somn, m\u0103 mut pe cealalt\u0103 parte \u2013 visez un co\u0219mar \u2013 apoi sar ca ars \u00een picioare, a\u0219a \u00eencepe ac\u021biunea. Peste mai pu\u021bin de or\u0103 dup\u0103 finalizarea spectacolului suntem invita\u021bi de comisia de exper\u021bi \u0219i de juriu, \u00eencepem analiza \u0219i discu\u021biile despre spectacol. \u0218i iat\u0103 c\u0103 Stepanova spune: \u201eDeci, a \u00eenceput spectacolul. O raz\u0103 de lumin\u0103 este \u00eendreptat\u0103 c\u0103tre o persoan\u0103 adormit\u0103, un b\u0103rbat \u00een pijama, care viseaz\u0103 co\u0219maruri, de parc\u0103 ar fi sugrumat, el sare ca ars cu o fa\u021b\u0103 foarte stranie \u0219i se apropie de avanscen\u0103, vine tot mai aproape \u0219i mai aproape \u2013 eu m-am speriat!\u201d Am reu\u0219it s\u0103 \u00eei trezim emo\u021bii. Este foarte pl\u0103cut c\u00e2nd astfel de speciali\u0219ti \u00een domeniul teatral, mai\u0219tri \u00een domeniu, apreciaz\u0103 pozitiv rezultatul muncii noastre. \u00cen Kazan cineva a zis despre noi: \u201eG\u0103g\u0103uzii \u0103\u0219tia adorabili\u2026\u201d Acest cuv\u00e2nt \u201eadorabili\u201d \u2013 e pl\u0103cut s\u0103 auzi a\u0219a ceva\u201d.<\/em><\/p>\n\n\n\n

    Spectacolul<\/strong><\/strong><\/p>\n\n\n\n

    \u00cen timpul discu\u021biei noastre cu Constantinov, \u00een afara biroului s\u0103u fierbea via\u021ba. Actorii \u00ee\u0219i aplicau machiajul, se \u00eembr\u0103cau \u00een costume, glumeau \u0219i se preg\u0103teau pentru spectacol. Ast\u0103zi ei urmeaz\u0103 s\u0103 se prezinte \u00een fa\u021ba celui mai special public \u2013 copiii. Pentru a capta aten\u021bia copiilor este nevoie de mult\u00a0 talent, copiii observ\u0103 orice rateu. Atmosfera de la etajul doi a Casei de Cultur\u0103 este una greu de descris. Pe de o parte, se simte c\u0103 oamenii aduna\u021bi acolo nu sunt indiferen\u021bi fa\u021b\u0103 de ceea ce fac, av\u00e2nd un maxim respect fa\u021b\u0103 de munca lor, iar pe de alt\u0103 parte aici se simte a\u0219a o adrenalin\u0103 \u00eenc\u00e2t se pare c\u0103 ei nici nu \u00ee\u0219i doresc o alt\u0103 via\u021b\u0103.<\/p>\n\n\n\n

    • \"\"<\/figure><\/li>
    • \"\"<\/figure><\/li>
    • <\/figure><\/li><\/ul><\/figure>\n\n\n\n

      La ora trei din autocar au cobor\u00e2t micii spectatori adu\u0219i din satul Baurci \u2013 ast\u0103zi actorii urmeaz\u0103 s\u0103 se prezinte \u00een fa\u021ba a 65 de copii. Ei vor prezenta capul de afi\u0219 al acestui sezon teatral, spectacolul \u201eMozgoroi<\/em>\u201d \u00een baza unei piese de T. Zenet. Acest spectacol a fost montat de regizorii Mihail Rezune\u021b \u0219i Anatolii Radulov. \u00cen sal\u0103 se sting luminile, se las\u0103 lini\u0219tea, spectatorii sunt \u00een a\u0219teptarea magiei. Pe holul de serviciu, ca ni\u0219te cosmonau\u021bi \u00eenainte de start, mi\u0219un\u0103 \u00eencolo \u0219i \u00eencoace actorii. \u00cen lumina a dou\u0103 reflectoare, pe scen\u0103 apare Constantinov care le prezint\u0103 copiilor \u00een limba g\u0103g\u0103uz\u0103 povestea pe care urmeaz\u0103 s\u0103 o vad\u0103. Iar\u0103\u0219i se sting luminile. E lini\u0219te.<\/p>\n\n\n\n

      \u00cencepe spectacolul…<\/p>\n\n\n

      \"news\"<\/div>
      \"news\"<\/div>
      \"news\"<\/div>
      \"news\"<\/div>
      \"news\"<\/div>
      \"news\"<\/div><\/div><\/div>\n\n\n

      PS<\/strong><\/strong><\/p>\n\n\n\n

      Anul viitor, pe data de 7 iulie 2022, vom marca 100 de ani de la na\u0219terea lui Dionis Tanasoglu. \u0421u aceast\u0103 ocazie Comiteul executiv al G\u0103g\u0103uziei a declarat anul 2022, anul Dionis Tanasoglu.<\/p>\n\n\n\n

      \u00cen anul 2021 spectacolul \u201eMozgoroi<\/em>\u201d a luat premiul mare la Gala Premiilor UNITEM pentru cel mai bun spectacol pentru copii. Autor al piesei \u2013 \u0422. Zenet. Regizori: Mihail Rezune\u021b \u0219i Anatolii Radulov, Teatrul \u201eDionis Tanasoglu\u201d, Cead\u00e2r-Lunga.<\/p>\n","protected":false},"excerpt":{"rendered":"

      2022 a fost declarat anul lui Dionis Tanasoglu -100 de ani de la nastere<\/p>\n","protected":false},"author":1,"featured_media":27721,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[140,139,135],"tags":[],"class_list":["post-27734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-places-ro","category-people-ro","category-people-and-places-ro"],"yoast_head":"\nTeatrul na\u021bional dramatic \u201eDionis Tanasoglu\u201d din G\u0103g\u0103uzia - GagauziaDialogue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gagauziadialogue.md\/ro\/teatrul-naional-dramatic-dionis-tanasoglu-din-gagauzia\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teatrul na\u021bional dramatic \u201eDionis Tanasoglu\u201d din G\u0103g\u0103uzia - 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